2021-04-25

Vignette: Quick Rescue in Amsterdam

 


At the last moment.

I was a neophyte visitor to Amsterdam, unknowing of the wiles of city life, much less that of a foreign port. I came with a group of forty men on a flying road tour but stayed aloof from the others, not wanting people to think me a tourist; so I spurned their invites to roam about the red-light district. I was better than that, I thought. Yet, like it or not, I was a tourist nonetheless.

I found out how much a tourist I was after leave-taking from my acquaintances. Wandering through the streets solo, I also wanted to try out a marijuana café, stopping into a tobacconist for a pipe and rolling papers.

Not far down the road I spied such an establishment and ventured inside. It was poorly lit, with serving counter to one side with a couple of stools, all occupied. 

The men on the stools, and the counterman, all looked like the cast of a B-grade film about dirty, violent bikers. At the bar’s end was a sign – in English – “More seating upstairs”. 

I was hesitant, realizing right then my hotel key, passport, money and all my identification was in a bright blue pouch hanging around my neck, yet I was about to make a step toward going upstairs.

At the last moment I felt a tap on my shoulder. I turned. Before me stood a tall, impeccably attired, muscular African man, hand outstretched, saying “You dropped your cell phone on the ground” and sure enough I had. 

Just as quickly, in an urgent tone, he said “What are you doing here? Get out. Get out of here NOW!’ and motioned me to follow him. Without any hesitation, I did and we both rushed down the street to civilization and safety.

Pen Sketch: Fred & George's Garage

 

Fred & George's Garage - Deep River
ink in sketchbook


Cinema: My Top Fifteen

 I was challenged to come up with a list of 15 films that changed my intellectual DNA. At first it was tough to come up with more than 6, but it ended up being more difficult to winnow out other films I found of import in my life.

     On top of it, I shared this list with my partner Bruce, who came up with a list of his own. My list is annotated for the first 15; his list follows in paragraph form; then I've added a list of other films I've found memorable.

Anyway, here's my list:

1- The Shameless Old Lady - Based on a Bertolt Brecht story, when an old woman's husband finally dies, she decides to live a life of pleasant pleasure. While her children argue about who will get her belongings when she dies, she goes about disbursing her possessions, sharing her funds and free time with her grandson and his prostitute girlfriend. It was the first time I remembered going to a film with subtitles without anyone else. Saw it in a suburban Philly PA movie theatre in 1968.

2- Privilege - I saw this in a Times Square movie house ages ago, when 42nd Street was sleazy, and people didn't usually go there to see the films. A much idolized "bad boy" rock star is co-opted by his handlers, big business and government bureaucrats to clean up his act, while marketing all sorts of product but the whole scheme backfires. Strong object lesson - Michael Jackson should have watched it.

3- West Side Story - I was in, oh, maybe 7th grade and went and watched this six times in seven days. I had no idea who Robert Wise, Jerome Robbins, Stephen Sondheim nor Lenny Bernstein were. Not sure if it was the gang warfare stuff, the idea of macho guys dancing in a pack or the gritty fantasy [for me] of urban ghetto life.

4- Animal Farm - [animated] I think the film I saw was released in 1954, which would make sense since I saw it as a kid. It forever etched into my brain the image of Orwellian nightmare societies, the link between corruption and power and the near futility of railing against the same. Even the pro USA agit-prop TV series Rocky and Bullwinkle that I had begun to watch religiously, couldn't over-ride the economic social class warfare components of Animal Farm for me.

5- Babette's Feast - A classic. What happens when a successful restaurateur flees and goes to live in a remote fishing village ...but he still can't get away from his artistry, and eventually fetes the villagers. Later I enjoyed a second pleasure when some dear friends had the feast staged at a nearby restaurant while we all watched the film together between courses.

6- Yellow Submarine - I drove 40 miles in a broken down 1959 orange Fiat with 5 other people to watch this in a barn like auditorium in a booze-free town in rural western New York State. We were all doing LSD and sat in the first row of the auditorium. The townspeople referred to us as "their" hippies.

7- Alone in the Wilderness - At the age of 50 Richard Proenneke went and moved to a wilderness section of Alaska to live there, alone. [well, except for occasional visits from bush plane pilots]. Once there he built his cabin, foraged and hunted for food, gathered firewood and studied the world around him. He filmed a year of his endeavors on an 8 mm camera that later got converted into video.

8- La cité des enfants perdus [The City of Lost Children] - co directed by Marc Caro and Jean-Pierre Jeunet the film has the eerie quality of the computer game Myst, with a bittersweet story line and a penchant for Victorian era sci-fi technology. And while it wasn't the first time I'd ever seen Ron Perlman on screen, his presence in this film captivated me.

9- Brazil - Terry Gilliam's classic bureaucratic dystopian nightmare, I'd watch over and over again, though not all at once. Too close to the idea of a corporatist/fascistic state for my comfort level; far better than the tedious rendition of 1984 featuring John Hurt and Richard Burton, yet the subject matter was the same.

10- Pollack - Ed Harris as Jackson Pollack. Violent, tempestuous, passionate. I had to buy a copy to keep. First time I recall seeing a film about an artist that seemed real.

11- Metropolis - Fritz Lang 's silent film opus. Worth it for the special effects alone, considering that it was filmed in 1927 long before CGI or conventional color or anything else considered ho-hum innovative nowadays.

12- K-Pax - An arrogant, [though not unlikable] thinks-he-knows-it-all psychiatrist is assigned to work with a new patient, K-Pax, who reports he is from outer space. The new guy is quickly able to help his peers suddenly do better for themselves and confront their personal demons and get ready to go back out in the world. That was something that neither the doc, nor the hospital staff evidently had been incapable of accomplishing. The psychiatrist, stymied, suddenly finds new meaning in what it actually takes to help another soul in trauma.

13- Baraka - No theme; just a rich, lush, sensual movie that kept me captivated. It reminded me of another, similar film I'd seen as a kid, Ecce Homo, which was equally exotic, tho' more ribald. But that was no comparison for Baraka's lushness.

14- The Endless Summer - A lush, color saturated film [as I remember it] about surfing filmed around the world. I think I saw it in February, trudging through snow. Never made me become a surfer, but opened my eyes to exotic places.

15- "Z" - I saw Costa Garvas' dramatic depiction on the dictatorial takeover of a weak democratic government in Greece in a theatre just across street from the University of Buffalo [NY] campus. The street riots in the film were stunning; the manipulation of the newscaster disturbing and the film's message fit the times [1969-70]. Nevertheless, viewing it in no way prepared me [or the rest of the audience] for walking out the front doors into to a real tear-gas riot-squad uprising taking place on the street between the police and college students.

I'm adding one more memory not of a movie - but of a movie house, the Wayne Avenue Playhouse. It was up the street from where I lived as a young teenager. Run by a family, staunchly independent, who chose to show films they liked, the prices were still cheap enough for kids who collected bottles for movie money. Every summer they had an annual silent film festival, at some time each year an operatic film [I still remember first seeing Puccini's Tosca there] along with many films that people in the neighborhood probably would not have seen otherwise. The place surely opened my eyes to watch for original cinematography.

     Bruce's most enduring films list: [the top 3] Carmen Jones; Dangerous Liaisons; All About Eve. [The rest of the list] 7 Brides for 7 Brothers; Gone with the Wind; Now, Voyager; Brazil; Who's Afraid of Virginia Woolf?; Chicago; Streetcar Named Desire; La Dolce Vita; Satyricon; Niagara; Is Paris Burning?. Finally, not to be forgotten [what Bruce says is "...the best gay porno film ever made..."] The Gage Brothers' Kansas City Trucking Company.

     Othe
r films that I found memorable [in no particular order]: The Wizard of Oz; Spirited Away,  Japanese animated fantasy film written and directed by Hayao MiyazakiMichelangelo Antonioni's Blow Up; Midnight Express; Manchurian Candidate [the Angela Lansbury version]; Seven Days in May; Fargo; Disney's Fantasia; Soylent Green [thought Charlton Heston's character pretty dumb for not having figured it out sooner]; David Bowie in The Man Who Fell to Earth; Kurosawa's Ran; The Full Monty; My Beautiful Launderette; watching Midnight Cowboy kept me from moving back to NYC; Sly Stallone's Rocky [I saw it in Lake Placid, NY, and was briefly startled not to be in Philly when leaving the theatre]; Beautiful Thing; The Fisher King; Moonstruck; A little Trip to Heaven, with Forrest Whitaker, an actor who'd I'd watch in anything; To Kill a Mockingbird; Moulin Rouge; The 5th Element; Fight Club; 12 Monkeys; Dangerous Liaisons; Is Paris Burning?; Milk; like Bruce, I, too like Tim Kinkaid's [aka "Joe Gage"] gay porn trilogy [which actually have story lines]. I am sure there are others, but...

Work in Progress: Gelston House



Gelston House, East Haddam Village, CT
acrylic on board 8" x 16" / 20 x 30 cm

 

Public Spaces: "this Museum of Everyday Life" - the Museum Ettore Gautelli [Parma, Italy]

 https://www.museoguatelli.it/en/



For more details, follow the link to the webpage: Museum Ettore Gautelli [Parma, Italy] - known also as "this Museum of Everyday Life" _ the "wonderful fruit of the passion and patience of collector and elementary school teacher Ettore Gautelli (1921 - 2000). There is a link to the Museum's website above this screenshot.

Thanks to Lena Young for posting about this. Lena's description attached to this is, itself, a fresh, succinct, and clear picture of a place now on my museum visit bucket list.

Painting and Photo: At Ray of Light Farm

Acrylic on board - 8" x 16" / 20 x 30 cm
Photo - 8" x 16" / 20 x 30 cm

2021-04-23

POEM: Charles Simic's Stones

 


Charles Simic’s Stones

“…I remember lying in a ditch and staring at some pebbles while German bombers were flying overhead. That was long ago. I don’t remember the face of my mother nor the faces of the people who were there with us, but I still see those perfectly ordinary pebbles.”

It is not “how” things are in the world that is mysterious, but that it exists,” says Wittgenstein. I left precisely that. Time had stopped. I was watching myself watching the pebbles and trembling with fear.”

“Then time moved on and the experience was over”

___________________________________________              ~ Charles Simic

 

In an age bereft of Truth

It may matter little if our captors

              are the Koch Brothers, Lemurians

                            or the remnant tribe of extraterrestrials

                            with a name unpronounceable in any human tongue

 

In an age extolling

The primacy of Ignorance over fact

The identity of the Oppressor

Takes lesser precedence

Over the demands to scrape for our basic needs

To keep from starving to death

Or so one would surmise

 

In an age when life itself

Has been placed on a precipice

And the living are encouraged

To jump

The names of those who brought us

To that edge are important

Because they are our own

 

Each of us, by failing to take action

Contribute to the march to the edge

We may not, individually,

Be the proponents of the Call to Leap

But in our unwillingness

To question the instructions

Directing us to the edge

We have colluded in our extinction

Such is the time wherein we live

The Generals calling the march

Stand back

Await our response

Hoping beyond hope

That we don’t look over our shoulders

and see their

Shameful

Nakedness

 

How do we correct this?

By paying heed to History

Watch close for tiny details

Take time to reflect on Simic’s stones

     For concentration on minutiae

     Actually helps better focus

On the larger vision

And it is on that, which we must act.


Photography: Food & Drink

All images  #©2021WillBrady





 

Vignette: "Second time in New York City

 

Night Scene NYC

My second time in New York City was the first time I’d seen it by myself.

On invitation of a stranger, I’d gone for a weekend of debauch but he was a no-show. I stayed anyway.

It was the summer of 1967. I’d gone to get away from a convulsed, confused scenario living in a house of drag princesses and a heroin addicted male housemarm whose grandmother thought I was fourteen. Coming to NYC was a liberation though I did not yet know this.

That first time I strode out the Port Authority Bus Terminal doors, walked down Eighth Avenue searching for Greenwich Village, a place I’d long ago wanted to see.

I refused to look up or stare at tall buildings, not wanting to appear a rube. Instead I admired them from a distance, but I was in awe!

Crossing Thirty-Fourth Street, the Empire State Building, with its needle-like spire jutting into the sky, like a syringe taking in the atmosphere to imbue the city with life.

Going south, passing Fourteenth Street, the streets no longer on a grid, I knew I’d reached “The Village”.

Sauntering down Greenwich Avenue I found an eatery known as “Mama’s Chick-n-Rib” (infamous as a pick-up joint where boys and their admirers planned illicit assignations). Smug in my ability to find it, I went in and ordered lunch.

Inside it was impossible to discern the hunters from their prey; those coy young lads or the older men seeking them. One thing was sure, there were no innocents here.

I set my eyes on the cook, an elderly gent of maybe 35 years. He invited me to the Stonewall Inn. I said, “I’m only 17.”

No matter; it’s a private club.”

That night turned out to be another first time – but that’s a different story.


2021-04-21

Illuminated Text: "Powers throughout the Universe"

 

watercolor and ink on paper

In Memory of 

Ken Brady 1953 - 2021 / Bruce Pfau 1938 - 2017 / William Pelletier 1954 - 2013

Curtis Jarvis / Bruce Parkes / Lynn Pfau / Herb "Buddy" Smith  / Robert Bagwell 

Marie Jassey / Peggy [Margaret Buterbaugh] Brady / Robert "Bob" Hankal  

Brian Cockarille / William "Bill" Brady 1927 - 1995 Hubert Crowley 1991 


Painting: Sanctuary

 Acrylic on canvas



From the sketchbooks: Effects of Racism: Annals of Injustice

 




The 10,000 Sunflowers East Haddam CT Unity Project

 https://www.facebook.com/EHSunflowerpower/



Welcome to the 10k Sunflowers Project! Let's cultivate a brighter community!

A project of growing sunflowers throughout our town to symbolize our community members growing together trying to reach the goal of one sunflower grown for each member of our community.
In short, the goal is to plant and cultivate 10,000 individual sunflower plants in and around town.
Why?
According to last year's census, East Haddam has just over 9,100 residents. The goal would be to plant a sunflower for every resident, and a bunch more for residents who have yet to arrive.
This community effort will require as many of us as are able to get involved and get dirty - no ideological prerequisites desired nor required. Through this mutual community labor, I hope we are better able to appreciate one another as individuals as well as model what community effort can accomplish in a town like ours.
Need advice? You're in the right place!
Want to give advice! Ditto!
Interested in sharing pictures of your beautiful sunflowers? Do it here! 🙂
Regardless of experience, expertise, or access to land and resources, I truly believe we can accomplish something together that is beautiful and meaningful.
Please feel free to contribute in whatever way you are willing and able to this community effort.
Thanks you!
Drew John Ladd

poem: Dak To

 Dak To

Atop a beaucoup hellish hill

inside a searing, dusty
NVA trenched and tunneled
mortar-riddled outpost
He gets posted for MacArthur
 
Out of water, no supplies
Six UH medevacs shot down
Trying to get to 2/503
 
Add to the carnage
Westmoreland’s friendly fire
Blowing away the backup
Turning medics into oxen fodder
 
In the middle of it all,
during a November chill
– sleep deprived –
Joe Turner tried a nap
while body bags
piled higher right next to him
almost toppled over.
At least they were warm
 
Dawn on Tuesday rose
permanent in Joe’s memory
Rotting flesh and napalm etched
yet still more hours pass
before his airlift to Support Base 4
 
Shipped from there to stateside
Trussed and restrained
screaming scenes from Bosch, Lovecraft and Dante
Finally scoped out by
exempted med school interns
 
The pukes sure knew how
to diagnose Joe’s inability to adapt
He’s schizophrenic,”
they say

End of story.


Collage/Combine: Oracle"

 



Portraits: Selfies

 Selfies

Reyes Point, Massachusetts



Sketches: Lin Shaye, James Dean

 




Tourism Poster: Keeseville New York

 



Concept Sketches: The Butter House

 

CONCEPT SKETCHES ; NEW STUDIO / THE BUTTER HOUSE








Watercolor: Ghost Dance Mask at Sequoyah Birthplace Memorial National Park

 

Ghost Dance Mask


I painted this on a visit to the Sequoyah Birthplace Museum, a memorial to the life of the man Sequoyah – father, soldier, silversmith, statesman and creator of the Cherokee writing system

Find out more about this National Park at http://www.sequoyahmuseum.org/